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6.2.2012 Hear Music HRM-33596-02
Nahráno: 2011 Capitol Studios (Los Angeles), Avatar Studios (New York), Abbey Road Studios (Londýn), Hog Hill Mill (East Sussex), Westlake Studios (Los Angeles)
Producent: Tommy LiPuma
Zvukový inženýr, mix: Al Schmitt
Zvukový inženýr: Elliot Scheiner, Brian Montgomery, Steve Genewick
Asistent zvukového inženýra: Fernando Lodeiro (Avatar Studios, New York), Marcus Johnson (Westlake Studios, Los Angeles), Sam Okell, Kris Burton, Gordon Davidson, Paul Pritchard (Abbey Road Studios, Londýn), Eddie Klein, Keith Smith, Jamie Kirkham (Hog Hill Mill, East Sussex)
Mastering: Doug Sax, Sangwook 'Sunny' Nam (The Mastering Lab, Ojai, Kalifornie)
Projektový koordinátor: Shari Sutcliffe
Projektový manažer: Scott Rodger
Produkční tým MPL: Lisa Power, Ruth Birch, Claudia Schmid, Rebecca Church, Billie Temple, Toby McColl, Kat Holder, Richard Miller, Jess Whiteley
Obal: Jonathan Schofield, Matthew Cooper
Fotografie: Mary McCartney, MJ Kim, John Hammel
56:39

I'm gonna sit right down and write myself a letter (2:36)
Home (When shadows fall) (4:04)
It's only a paper moon (2:35)
More I cannot wish you (3:04)
The glory of love (3:46)
We three (My echo, my shadow and me) (3:22)
Ac-cent-tchu-ate the positive (2:32)
My Valentine (3:14)
Always (3:50)
My very good friend the milkman (3:04)
Bye bye blackbird (4:26)
Get yourself another fool (4:42)
The inch worm (3:43)
Only our hearts (4:21)
Deluxe verze:
Baby's request (3:30)
My one and only love (3:50)

I'm gonna sit right down and write myself a letter
(Ahlert-Young)

Nahráno: Avatar Studios (New York)
Paul McCartney - zpěv
Diana Krall - piano, aranžmá
Karriem Riggins - bicí
Robert Hurst - basa
John Pizzarelli - kytara

Píseň pochází z roku 1935, kdy ji 8. května nahrál Fats Waller. Umístila se na 5. místě hitparády Billboard. Úspěšnější verze od Boswell Sisters vyšla 6. ledna 1936 a dostala až na třetí příčku. Na stejném místě bodovala také 3. dubna 1957, kdy ji znovu nahrál Billy Williams. Skladbu dále nahráli např. Charlie Gracie, Frank Sinatra, Nat King Cole, Scatman Crothers, Gregory Isaacs, Barry Manilow, Dean Martin, Anne Murray, Willie Nelson, Linda Scott, Shakin' Stevens, Bill Haley a Madeleine Peyroux.
I'm gonna sit right down and write myself a letter
and make believe it came from you
I'm gonna write words, oh so sweet
they're gonna knock me off my feet
I'll kisses on the bottom
I'll be glad I've got 'em.

I'm gonna smile and say I hope you're feelin' better
and sign with love the way you do
I'm gonna sit right down and write myself a letter
and make believe it came from you.

I'm gonna smile and say I hope you're feelin' better
and sign with love the way you do
I'm gonna sit right down and write myself a letter
and make believe, oh I'm gonna make believe
I'm gonna make believe it came from you.

© 1935 Rytvoc Inc./Pencil Mark Music/Azure Pearl Music/Beeping Good Music Publishing/David Ahlert Music

Home (When shadows fall)
(Van Steeden-Clarkson-Clarkson)

Nahráno: Avatar Studios (New York), Abbey Road Studios (Londýn)
Paul McCartney - zpěv
Diana Krall - piano, aranžmá
Karriem Riggins - bicí
Robert Hurst - basa
John Pizzarelli - kytara
Mike Mainieri - vibrafon
Londýnský symfonický orchestr, dirigent Alan Broadbent

Píseň vznikla v roce 1931 a jako první ji v lednu 1932 nahrál Rudy Vallée. Mezi její nejznámější interprety patří Sam Cooke, Nat King Cole, Mildred Bailey, Dick Haymes, Margaret Whiting a Louis Armstrong.
Evening brings the close of day
skies of blue begin to grey
crimson hues are fading in the west
evening ever brings to me
dreams of days that used to be
memories of those I love the best.

When shadows fall
and trees whisper, day is ending
my thoughts are ever wending home
when crickets call
my heart is forever yearning
once more to be returning home.

When the hills conceal the setting sun
stars begin a-peeping, one by one
night covers all
and though fortune may forsake me
sweet dreams will ever take me home
take me home.

When the hills conceal the setting sun
stars begin a-peeping, one by one
night covers all
and though fortune may forsake me
sweet dreams will ever take me home.

© 1931 Geoffrey Clarkson Music Co./Songcastle Music

It's only a paper moon
(Arlen-Harburg-Rose)

Nahráno: Capitol Studios (Los Angeles)
Paul McCartney - zpěv
Diana Krall - piano, aranžmá
Karriem Riggins - bicí
Robert Hurst - basa
John Pizzarelli - kytara
Bucky Pizzareli - kytara
Andy Stein - housle

Píseň vznikla v roce 1933 pro broadwayský muzikál The Great Magoo. Ještě ve stejném roce byla použita ve filmu Take a chance, kde ji nazpívala Peggy Healey. Píseň se dále objevila v roce 1947 ve hře Tennessee Williamse A Streetcar named Desire, v roce 1973 byl podle ní pojmenován film Petera Bogdanoviche Paper moon. Skladu nazpívala nespočetná řada interpretů, např. Ella Fitzgerald, Nat King Cole, Adam Ant, Count Basie, Bing Crosby, Miles Davis, Sammy Davis Jr., Marvin Gaye, Harry Nilsson, Les Paul Trio, Jim Reeves, Django Reinhardt, Buddy Rich, Frank Sinatra, Barbra Streisand, James Taylor. Použita byla také v epizodě známého seriálu Star Trek, ve filmu Bennyho Goodmana The water horse: Legend of the deep, ve filmu Funny Lady a dalších.
Say, it's only a paper moon
sailing over a cardboard sea
but it wouldn't be make-believe
if you believed in me.

Yes, it's only a canvas sky
hanging over a muslin tree
but it wouldn't be make-believe
if you believed in me.

Without your love
it's a honky-tonk parade
without your love
it's a melody played in a penny arcade.

It's a barnum and bailey world
just as phony as it can be
but it wouldn't be make-believe
if you believed in me.

Without your love
it's a honky-tonk parade
without your love
it's a melody played in a penny arcade.

It's a barnum and bailey world
just as phony as it can be
but it wouldn't be make-believe
if you believed in me
if you believed in me
if you believed in me.

© 1933 Anne-Rachel Music Corp./Glocca Morra Music Corp./S.A. Music Co.

More I cannot wish you
(Loesser)

Nahráno: Capitol Studios (Los Angeles)
Paul McCartney - zpěv
Diana Krall - piano, aranžmá
Karriem Riggins - bicí
Robert Hurst - basa
John Pizzarelli - kytara
Mike Mainieri - vibrafon
Eddie Karam - dirigent
Assa Drori - první housle
Johnny Mandel - aranžmá orchestru

Píseň z roku 1949 proslavil zejména film Guys and dolls, ve kterém si v roce 1955 zahráli Marlon Brando, Jean Simmons, Frank Sinatra a Vivian Blaine. Předlohou mu byl stejnojmenný broadwayský muzikál, který vznikl v roce 1950 a ve kterém tato píseň poprvé zazněla.
Velvet I can wish you
for the collar of your coat
and fortune smiling all along your way
but more I cannot wish you
than to wish you find your love
your own true love this day.

Mansions I can wish you
seven footmen all in red
and calling cards upon a silver tray
but more I cannot wish you
than to wish you find your love
your own true love this day.

Standing there
gazing at you
full of the bloom of youth.

Standing there
gazing at you
with a sheeps' eye
and a lickerish tooth.

Music I can wish you
merry music while you're young
and wisdom when your hair has turned to gray
but more I cannot wish you
than to wish you find your love
your own true love this day.

With a sheeps' eye
and a lickerish tooth
and a strong arms
to carry you away.

© 1949 Frank Music Corp.

The glory of love
(Hill)

Nahráno: Capitol Studios (Los Angeles)
Paul McCartney - zpěv
Diana Krall - piano, aranžmá
Jeff Hamilton - bicí
John Clayton - basa
Anthony Wilson - kytara
Mike Mainieri - vibrafon

Píseň poprvé nahrál Benny Goodman v roce 1936 a v jeho podání se stala hitem číslo 1. Na špičce hitparády strávila čtyři týdny také v roce 1951, kdy ji natočila skupina The Five Keys. Mezi další její interprety patří Big Bill Broonzy, Peggy Lee, Dean Martin, Otis Redding, Tom Rush, Eddy Arnold, Wizz Jones, John Martyn a Bette Midler, která ji nazpívala pro film Beaches. Objevila se také ve filmech Guess who's coming to dinner a Pennies from heaven.
You've got to give a little, take a little
and let your poor heart break a little
that's the story of, that's the glory of love.

You've got to laugh a little, cry a little
until the clouds roll by a little
that's the story of, that's the glory of love.

As long as there's the two of us
we've got the world and all it's charms
and when the world is through with us
we've got each other's arms.

You've got to win a little, lose a little
and always have the blues a little
that's the story of, that's the glory of love.

As long as there's the two of us
we've got the world and all it's charms
and when the world is through with us
we've got each other's arms.

You've got to win a little, lose a little
and always have the blues a little
'cause that's the story of, that's the glory of love
that's the story of and that's the glory of love.

© 1936 Shapiro Bernstein & Co. Inc.

We three (My echo, my shadow and me)
(Mysels-Robertson-Cogane)

Nahráno: Capitol Studios (Los Angeles)
Paul McCartney - zpěv
Diana Krall - piano, aranžmá
Karriem Riggins - bicí
Robert Hurst - basa
John Pizzarelli - kytara
Bucky Pizzarelli - kytara
Mike Mainieri - vibrafon
Eddie Karam - dirigent
Assa Drori - první housle
Johnny Mandel - aranžmá orchestru

Píseň kralovala hitparádám na tři týdny koncem roku 1940. Poté ji zpívalo mnoho interpretů včetně Franka Sinatry nebo Brendy Lee, objevila se také v seriálu One tree hill.
We three, we're all alone
living in a memory
my echo, my shadow and me.

We three, we're not a crowd
we're not even company
my echo, my shadow and me.

What good is the moonlight, the silvery moonlight
that shines above
I walk with my shadow, I talk with my echo
but where is the one I love.

We three, we'll wait for you
even till eternity
my echo, my shadow and me.

We three, we're all alone
living in a memory
my echo, my shadow and me.

What good is the moonlight, the silvery moonlight
that shines above
I walk with my shadow, I talk with my echo
but where is the one I love.

We three, we'll wait for you
even till eternity
my echo echo, my shadow and me
we'll be here waiting
my echo echo, my shadow and me.

© 1940 Edwin H. Morris & Company, a division of MPL Music Publishing Inc./Penn Music Co.

Ac-cent-tchu-ate the positive
(Arlen-Mercer)

Nahráno: Avatar Studios (New York)
Paul McCartney - zpěv
Diana Krall - piano, aranžmá
Karriem Riggins - bicí
Robert Hurst - basa
John Pizzarelli - kytara

Píseň vznikla v roce 1944 a nahrána byla poprvé 4. října stejného roku za účasti The Pied Pipers a orchestru Paula Westona. 4. ledna 1945 se dostala do hitparády Billboard, ve které setrvala dlouhých 13 týdnů. Nejlepší umístění bylo na 2. příčce. Zhruba ve stejném čase a na stejném místě bodovala její verze v podání Binga Crosbyho a The Andrew Sisters, kteří ji nahráli 8. prosince 1944 a do hitparády dostali 25. ledna 1945. A ani on nebyl jediný, kdo ji koncem roku 1944 nahrál. 21. prosince 1944 ji natočil Kay Kyser s Dolly Mitchell a také Artie Shaw, jehož verze dosáhla pátého místa hitparády. 6. dubna 1945 ji pak v Británii nahrál Johnny Green. Mezi její další interprety se pak zařadili např. Connie Francis, Ella Fitzgerald, Perry Como (ten ji nahrál dokonce dvakrát), Aretha Franklin, Sam Cooke, NRBQ, punková skupina The Vindictives a John Boutte. Píseň zazněla také v mnoha filmech a v televizi, např. Here come the waves (1944), The singing detective (1986), Bugsy (1991), Coronation Street (2010), Casualty (2010), The mighty ducks (1992), L.A. Confidential (1999), Blast from the past (1999), Treme (2011).
You got to ac-cent-tchu-ate the positive
e-lim-i-nate the negative
and latch on to the affirmative
don't mess with mister inbetween.

You got to spread joy up to the maximum
bring gloom down to the minimum
and have faith, or pandemonium
liable to walk upon the scene.

To illustrate my last remark
Jonah in the whale, Noah in the ark
what did they do, just when everything seems so dark
man, they said, we better.

Ac-cent-tchu-ate the positive
e-lim-i-nate the negative
and latch on to the affirmative
don't mess with mister inbetween.

To illustrate my last remark
Jonah in the whale, Noah in the ark
what did they do, just when everything seems so dark
man, they said, we better.

Ac-cent-tchu-ate the positive
e-lim-i-nate the negative
and latch on to the affirmative
don't mess with mister inbetween
oh no, hm girl, no way, it's way, too dark, for you
don't mess with mister inbetween.

© 1944 Harwin Music Co.

My Valentine
(McCartney)

Nahráno: Avatar Studios (New York), Abbey Road Studios(Londýn)
Paul McCartney - zpěv
Diana Krall - piano, aranžmá
Karriem Riggins - bicí
Robert Hurst - basa
Eric Clapton - kytara
John Pizzarelli - kytara
Londýnský symfonický orchestr, dirigent Alan Broadbent

What if it rained
we didn't care
she said that someday soon
the sun was gonna shine
and she was right
this love of mine
my Valentine.

As days and nights
would pass me by
I tell myself that
I was waiting for a sign
then she appeared
a love so fine
my Valentine.

And I will love her for life
and I will never let a day go by
without remembering the reasons why
she makes me certain that I can fly.

And so I do
without a care
I know that someday soon
the sun is gonna shine
and she'll be there
this love of mine
my Valentine.

What if it rained
we didn't care
she said that someday soon
the sun was gonna shine
and she was right
this love of mine
my Valentine.

© 2012 MPL Communications Ltd./Inc.

Always
(Berlin)

Nahráno: Avatar Studios (New York), Abbey Road Studios (Londýn)
Paul McCartney - zpěv
Diana Krall - piano, aranžmá
Karriem Riggins - bicí
Robert Hurst - basa
John Pizzarelli - kytara
Londýnský symfonický orchestr, dirigent Alan Broadbent

Píseň napsal v roce 1925 Irving Berlin jako svatební dar pro svou ženu Ellin McKay, kterou si vzal o rok později. Písnička se měla objevit v muzikálu bratří Marxových The Cocoanuts, ale na Berlinovu žádost byla vypuštěna. V roce 1942 byla použita jako základní melodie filmu The pride of the Yankees. Později ji nazpívala řada známých umělců: Frank Sinatra, Patsy Cline, Billie Holiday, Billy Corgan, Guy Lombardo, Leonard Cohan, Phil Collins, Machito, The Ink Spots, Billy Eckstine, Sarah Vaughan, Diana Ross se Supremes, Lynda Carter a Mandy Patinkin.
Everything went wrong
and the whole day long
I'd feel so blue
for the longest while
I'd forget to smile
then I met you
now that my blue days have passed
now that I've found you at last.

I'll be loving you always
with a love that's true always
when the things you've planned
need a helping hand
I will understand always, always.

Days may not be fair always
that's when I'll be there always
not for just an hour
not for just a day
not for just a year
but always.

Hm days may not be fair always
that's when I'll be there always
not for just an hour
not for just a day
not for just a year
but always.

© 1925 Irving Berlin Music Corp.

My very good friend the milkman
(Spina-Burke)

Nahráno: Capitol Studios (Los Angeles)
Paul McCartney - zpěv
Diana Krall - piano, aranžmá
Jeff Hamilton - bicí
John Clayton - basa
Anthony Wilson - kytara
Ira Nepus - trombon

Mezi nejznámější interprety této písně pocházející z roku 1935 patří Fats Waller, George Melly a Eric Clapton.
My very good friend, the milkman says
that I've been losing too much sleep
he doesn't like the hours I keep
and he suggests that you should marry me.

My very good friend, the mailman says
that it would make his burden less
we both had the same address
and he suggests that you should marry me.

And then there's a very friendly fellow who prints
all the latest real estate news
and every day he sends me blueprints
of cottages with country views.

Oh my very good friends, the neighbors say
they've been watching little things I do
and they perceive that I love you
so I suggest that you should marry me.

And then there's a very friendly fellow who prints
all the latest real estate news
and every day he sends me blueprints
of cottages with country views.

Oh my very good friends, the neighbors say
they've been watching little things I do
they perceive that I love you
so I suggest that you should marry me.

© 1935 Anne-Rachel Music Corp./My Dad's Songs/Reganesque Music/Marke Music Publishing/Limerick Music

Bye bye blackbird
(Henderson-Dixon)

Nahráno: Avatar Studios (New York), Abbey Road Studios (Londýn)
Paul McCartney - zpěv
Diana Krall - piano, aranžmá
Karriem Riggins - bicí
Robert Hurst - basa
John Pizzarelli - kytara
Londýnský symfonický orchestr, dirigent Alan Broadbent

Píseň vznikla v roce 1926 a jako první ji nahrál Gene Austin. V průběhu let ji natočili mnozí interpreti, např. Josephine Baker, Georgia Brown, Joe Cocker, Bing Crosby, Miles Davis, Fleetwoods, Melody Gardot, Etta James, Keith Jarrett, Diana Krall, Peggy Lee, Julie London, Trini Lopez, Dean Martin, Johnny Mathis, Billy May, Mitch Miller, Bobby Short, Nina Simone, Frank Sinatra, Curtis Stigers, Tiny Tim, Sarah Vaughan, Martha Wainwright, Mark Weber, Ben Webster a Oscar Peterson. Na své první sólové album ji nahrál také Ringo Starr. Za druhé světové války ji využil pro svou propagandistickou kampaň Joseph Goebbels. Smysl písně však byl interpretován ve zkreslené podobě. Skladba zazněla také v několika filmech, jako Sleepless in Seattle (1969), Melvin and Howard (1980), Public enemies (2009), Anzio (1968), King Kong (2005), Maxie (1985).
Blackbird, blackbird singing the blues all day
right outside my door
blackbird, blackbird gotta be on my way
to where the sun shines once more.

Pack up all my care and woe
here I go sing it low
bye bye blackbird.

Where somebody waits for me
sugar's sweet and so is she
bye bye blackbird.

No one here can love or understand me
oh what hard luck stories they all hand me
now make my bed and light the light
I'll arrive late tonight
blackbird bye bye.

No one here can love or understand me
oh what hard luck stories they all hand me
now make my bed and light the light
I'll be home late tonight
blackbird, oh blackbird, blackbird bye bye.

© 1926 Olde Clover Leaf Music/Ray Henderson Music Co Inc.

Get yourself another fool
(Haywood-Tucker)

Nahráno: Avatar Studios (New York), Abbey Road Studios (Londýn)
Paul McCartney - zpěv, akustická kytara
Diana Krall - piano, aranžmá
Karriem Riggins - bicí
Christian McBride - basa
Eric Clapton - kytara
Anthony Wilson - kytara
Londýnský symfonický orchestr, dirigent Alan Broadbent

At last I wake up to see what you've done
so what can I do but pack up and run
I know the rules go get yourself another fool.

You said that you love me I'm yours to command
but your kind of loving my heart couldn't stand
you use me for a tool go get yourself another fool.

And now, now that we're through
you say you meant to be true
but deep in your heart you know
that our love could never grow.

I tried to believe you that we'd never part
but your kind of loving just broke my poor heart
now I know the rules go get yourself another fool.

And now, now that we're through
you say you meant to be true
but deep down in your heart you know
that our love could never grow.

Well I tried to believe you that we'd never part
Your kind of loving just broke my poor heart
But I know the rules go get yourself another fool.

Yeah you'd better get yourself, get yourself
You'd better get yourself another fool
Go ahead and get yourself, get yourself
Get yourself another fool oh.

© 1947 EMI Unart Catalog Inc.

The inch worm
(Loesser)

Nahráno: Capitol Studios (Los Angeles)
Paul McCartney - zpěv, akustická kytara
Diana Krall - piano, aranžmá
Karriem Riggins - bicí
Robert Hurst - basa
John Pizzarelli - akustická kytara
Eddie Karam - dirigent
Assa Drori - první housle
Johnny Mandel - aranžmá orchestru
Chloe Arzy, Evyn Johnson, Makiah Johnson, Michael Johnson, Delany Meyer, Ilsey Moon, Sabrina Walden, Sasha Walden - dětský sbor
Scottie Haskell - dirigent dětského sboru

Píseň vznikla pro film Hans Christian Andersen, který měl premiéru v roce 1952. Stala se populární mezi dětmi díky využití číslovek v textu. Píseň ve filmu zpíval Danny Kaye, po něm ji nazpívali Rachelle Ferrell, The Brothers Creeggan, Anne Murray, Kenny Loggins, We Five, John Lithgow, Mary Hopkin, Doris Day, Kurt Wagner a Patricia Barber. Objevila se také v populárním seriálu Muppets.
Inch worm, inch worm
measuring the marigolds
you and your arithmetic
you'll probably go far.

Inch worm, inch worm
measuring the marigolds
could it be you'll stop and see
how beautiful they are?

Two and two are four
four and four are eight
eight and eight are sixteen
sixteen and sixteen are thirty-two.

Inch worm, inch worm
measuring the marigolds
you and your arithmetic
you'll probably go far.

Two and two are four
four and four are eight
eight and eight are sixteen
sixteen and sixteen are thirty-two.

Inch worm, inch worm
measuring the marigolds
seems to me you'll stop and see
how beautiful they are.

Inch worm, inch worm
measuring the marigolds
you and your arithmetic
you'll probably go far.

Two and two are four
four and four are eight
eight and eight are sixteen
sixteen and sixteen are thirty-two.

Two and two are four
four and four are eight
eight and eight are sixteen
sixteen and sixteen are thirty-two.

© 1951 Frank Music Corp.

Only our hearts
(McCartney)

Nahráno: Capitol Studios (Los Angeles)
Paul McCartney - zpěv
Stevie Wonder - harmonika
Vinnie Colaiuta - bicí
Chuck Berghoffer - basa
John Chiodini - kytara
Tamir Hendelman - piano
Assa Drori - první housle
Johnny Mandel - dirigent, aranžmá orchestru

If only my love was here
I'd be taking the time to feel it
washing over my body and soul
if only my love, only my love was here.

I wish that my heart was strong
I'd be letting it beat much faster
at the thought of you holding me near
I wish that my heart, wish that my heart was strong.

Hoping to be where you are
of longing to be your lover
don't want to ever be far
apart from you my love.

But only our hearts will know
if were going to spend it together
only gone to the dreams that we share
only our hearts, know how much love is there.

Hoping to be where you are
of longing to be your lover
I don't want to ever be far
apart from you my love.

But only our hearts will know
if were gonna to spend it together
holding on to the love that we share
only our hearts, know how much love is there
yes only our hearts, know how much love is there.

© 2012 MPL Communications Ltd./Inc.

Baby's request
(McCartney)

Nahráno: Capitol Studios (Los Angeles)
Paul McCartney - zpěv
Diana Krall - piano, aranžmá
Robert Hurst - basa
Bucky Pizzarelli - kytara
Ira Nepus - trombon

When the moon lays his head on a pillow
and the stars settle down for a rest
just do me one small favour, I beg you
please, play me my baby's request.

It's the song that we heard when we started
now the birds have all flown from our nest
but you could bring back mem'ries, departed
by playing my baby's request.

My baby said
that she knows how it goes
but you're the one who really knows
so go ahead
just one more time and then we'll go to bed.

My baby said
that she knows how it goes
but you're the one who really knows
so go ahead
just one more time and then we'll go to bed.

When the moon lays his head on a pillow
and the stars settle down for a rest
just do me one small favour, I beg you
please, play me my baby's request
oh play me my baby's request
please, play me my baby's request.

© 2012 MPL Communications Ltd.

My one and only love
(Wood-Mellin)

Nahráno: Capitol Studios (Los Angeles), Abbey Road Studios (Londýn)
Paul McCartney - zpěv
Diana Krall - piano, aranžmá
Karriem Riggins - bicí
Robert Hurst - basa
Bucky Pizzarelli - kytara
Londýnský symfonický orchestr, dirigent Alan Broadbent
Eddie Karam - dirigent
Assa Drori - první housle
Johnny Mandel - aranžmá orchestru

Píseň vznikla v roce 1952 a jako první ji natočil Frank Sinatra 2. května 1953. Další verze pak udělali Doris Day, Andre Previn, John Coltrane, Gerald Albright, Joe Sample, Sting (ve filmu Leaving Las Vegas), Dean Martin, Chick Corea, Ella Fitzgerald, Sarah Vaughan, Lita Roza, Sophie Milman, Gwilym Simcock a další.
The very thought of you makes my heart sing
like an April breeze on the wings of spring
and you appear in all your splendor
my one and only love.

The shadows fall and spread their mystic charms
in the hush of night while you're in my arms
I feel your lips so warm and tender
my one and only love.

The touch of your hand is like heaven
a heaven that I've never known
the blush on your cheek whenever I speak
tells me that you are my own.

You fill my eager heart with such desire
every kiss you give sets my soul on fire
I give myself in sweet surrender
my one and only love.

The touch of your hand is like heaven
a heaven that I've never known
the blush on your cheek whenever I speak
tells me that you are my own.

You fill my eager heart with such desire
every kiss you give sets my soul on fire
I give myself in sweet surrender
my one and only love.

© 1952 Warock Corp/Colgems-EMI Music Inc.