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6.2.2012 Hear Music HRM-33596-02 Nahráno: 2011 Capitol Studios (Los Angeles), Avatar Studios (New York), Abbey Road Studios (Londýn), Hog Hill Mill (East Sussex), Westlake Studios (Los Angeles) Producent: Tommy LiPuma Zvukový inženýr, mix: Al Schmitt Zvukový inženýr: Elliot Scheiner, Brian Montgomery, Steve Genewick Asistent zvukového inženýra: Fernando Lodeiro (Avatar Studios, New York), Marcus Johnson (Westlake Studios, Los Angeles), Sam Okell, Kris Burton, Gordon Davidson, Paul Pritchard (Abbey Road Studios, Londýn), Eddie Klein, Keith Smith, Jamie Kirkham (Hog Hill Mill, East Sussex) Mastering: Doug Sax, Sangwook 'Sunny' Nam (The Mastering Lab, Ojai, Kalifornie) Projektový koordinátor: Shari Sutcliffe Projektový manažer: Scott Rodger Produkční tým MPL: Lisa Power, Ruth Birch, Claudia Schmid, Rebecca Church, Billie Temple, Toby McColl, Kat Holder, Richard Miller, Jess Whiteley Obal: Jonathan Schofield, Matthew Cooper Fotografie: Mary McCartney, MJ Kim, John Hammel 56:39 I'm gonna sit right down and write myself a letter (2:36) Home (When shadows fall) (4:04) It's only a paper moon (2:35) More I cannot wish you (3:04) The glory of love (3:46) We three (My echo, my shadow and me) (3:22) Ac-cent-tchu-ate the positive (2:32) My Valentine (3:14) Always (3:50) My very good friend the milkman (3:04) Bye bye blackbird (4:26) Get yourself another fool (4:42) The inch worm (3:43) Only our hearts (4:21) Deluxe verze: Baby's request (3:30) My one and only love (3:50) |
I'm gonna sit right down and write myself a letter
(Ahlert-Young)
Nahráno: Avatar Studios (New York)
Paul McCartney - zpěv
Diana Krall - piano, aranžmá
Karriem Riggins - bicí
Robert Hurst - basa
John Pizzarelli - kytara
Píseň pochází z roku 1935, kdy ji 8. května nahrál Fats Waller. Umístila se na 5. místě hitparády Billboard. Úspěšnější verze od Boswell Sisters vyšla 6. ledna 1936 a dostala až na třetí příčku. Na stejném místě bodovala také 3. dubna 1957, kdy ji znovu nahrál Billy Williams. Skladbu dále nahráli např. Charlie Gracie, Frank Sinatra, Nat King Cole, Scatman Crothers, Gregory Isaacs, Barry Manilow, Dean Martin, Anne Murray, Willie Nelson, Linda Scott, Shakin' Stevens, Bill Haley a Madeleine Peyroux.
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I'm gonna sit right down and write myself a letter and make believe it came from you I'm gonna write words, oh so sweet they're gonna knock me off my feet I'll kisses on the bottom I'll be glad I've got 'em. I'm gonna smile and say I hope you're feelin' better and sign with love the way you do I'm gonna sit right down and write myself a letter and make believe it came from you. I'm gonna smile and say I hope you're feelin' better and sign with love the way you do I'm gonna sit right down and write myself a letter and make believe, oh I'm gonna make believe I'm gonna make believe it came from you. © 1935 Rytvoc Inc./Pencil Mark Music/Azure Pearl Music/Beeping Good Music Publishing/David Ahlert Music |
Home (When shadows fall)
(Van Steeden-Clarkson-Clarkson)
Nahráno: Avatar Studios (New York), Abbey Road Studios (Londýn)
Paul McCartney - zpěv
Diana Krall - piano, aranžmá
Karriem Riggins - bicí
Robert Hurst - basa
John Pizzarelli - kytara
Mike Mainieri - vibrafon
Londýnský symfonický orchestr, dirigent Alan Broadbent
Píseň vznikla v roce 1931 a jako první ji v lednu 1932 nahrál Rudy Vallée. Mezi její nejznámější interprety patří Sam Cooke, Nat King Cole, Mildred Bailey, Dick Haymes, Margaret Whiting a Louis Armstrong.
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Evening brings the close of day skies of blue begin to grey crimson hues are fading in the west evening ever brings to me dreams of days that used to be memories of those I love the best. When shadows fall and trees whisper, day is ending my thoughts are ever wending home when crickets call my heart is forever yearning once more to be returning home. When the hills conceal the setting sun stars begin a-peeping, one by one night covers all and though fortune may forsake me sweet dreams will ever take me home take me home. When the hills conceal the setting sun stars begin a-peeping, one by one night covers all and though fortune may forsake me sweet dreams will ever take me home. © 1931 Geoffrey Clarkson Music Co./Songcastle Music |
It's only a paper moon
(Arlen-Harburg-Rose)
Nahráno: Capitol Studios (Los Angeles)
Paul McCartney - zpěv
Diana Krall - piano, aranžmá
Karriem Riggins - bicí
Robert Hurst - basa
John Pizzarelli - kytara
Bucky Pizzareli - kytara
Andy Stein - housle
Píseň vznikla v roce 1933 pro broadwayský muzikál The Great Magoo. Ještě ve stejném roce byla použita ve filmu Take a chance, kde ji nazpívala Peggy Healey. Píseň se dále objevila v roce 1947 ve hře Tennessee Williamse A Streetcar named Desire, v roce 1973 byl podle ní pojmenován film Petera Bogdanoviche Paper moon. Skladu nazpívala nespočetná řada interpretů, např. Ella Fitzgerald, Nat King Cole, Adam Ant, Count Basie, Bing Crosby, Miles Davis, Sammy Davis Jr., Marvin Gaye, Harry Nilsson, Les Paul Trio, Jim Reeves, Django Reinhardt, Buddy Rich, Frank Sinatra, Barbra Streisand, James Taylor. Použita byla také v epizodě známého seriálu Star Trek, ve filmu Bennyho Goodmana The water horse: Legend of the deep, ve filmu Funny Lady a dalších.
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Say, it's only a paper moon sailing over a cardboard sea but it wouldn't be make-believe if you believed in me. Yes, it's only a canvas sky hanging over a muslin tree but it wouldn't be make-believe if you believed in me. Without your love it's a honky-tonk parade without your love it's a melody played in a penny arcade. It's a barnum and bailey world just as phony as it can be but it wouldn't be make-believe if you believed in me. Without your love it's a honky-tonk parade without your love it's a melody played in a penny arcade. It's a barnum and bailey world just as phony as it can be but it wouldn't be make-believe if you believed in me if you believed in me if you believed in me. © 1933 Anne-Rachel Music Corp./Glocca Morra Music Corp./S.A. Music Co. |
More I cannot wish you
(Loesser)
Nahráno: Capitol Studios (Los Angeles)
Paul McCartney - zpěv
Diana Krall - piano, aranžmá
Karriem Riggins - bicí
Robert Hurst - basa
John Pizzarelli - kytara
Mike Mainieri - vibrafon
Eddie Karam - dirigent
Assa Drori - první housle
Johnny Mandel - aranžmá orchestru
Píseň z roku 1949 proslavil zejména film Guys and dolls, ve kterém si v roce 1955 zahráli Marlon Brando, Jean Simmons, Frank Sinatra a Vivian Blaine. Předlohou mu byl stejnojmenný broadwayský muzikál, který vznikl v roce 1950 a ve kterém tato píseň poprvé zazněla.
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Velvet I can wish you for the collar of your coat and fortune smiling all along your way but more I cannot wish you than to wish you find your love your own true love this day. Mansions I can wish you seven footmen all in red and calling cards upon a silver tray but more I cannot wish you than to wish you find your love your own true love this day. Standing there gazing at you full of the bloom of youth. Standing there gazing at you with a sheeps' eye and a lickerish tooth. Music I can wish you merry music while you're young and wisdom when your hair has turned to gray but more I cannot wish you than to wish you find your love your own true love this day. With a sheeps' eye and a lickerish tooth and a strong arms to carry you away. © 1949 Frank Music Corp. |
The glory of love
(Hill)
Nahráno: Capitol Studios (Los Angeles)
Paul McCartney - zpěv
Diana Krall - piano, aranžmá
Jeff Hamilton - bicí
John Clayton - basa
Anthony Wilson - kytara
Mike Mainieri - vibrafon
Píseň poprvé nahrál Benny Goodman v roce 1936 a v jeho podání se stala hitem číslo 1. Na špičce hitparády strávila čtyři týdny také v roce 1951, kdy ji natočila skupina The Five Keys. Mezi další její interprety patří Big Bill Broonzy, Peggy Lee, Dean Martin, Otis Redding, Tom Rush, Eddy Arnold, Wizz Jones, John Martyn a Bette Midler, která ji nazpívala pro film Beaches. Objevila se také ve filmech Guess who's coming to dinner a Pennies from heaven.
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You've got to give a little, take a little and let your poor heart break a little that's the story of, that's the glory of love. You've got to laugh a little, cry a little until the clouds roll by a little that's the story of, that's the glory of love. As long as there's the two of us we've got the world and all it's charms and when the world is through with us we've got each other's arms. You've got to win a little, lose a little and always have the blues a little that's the story of, that's the glory of love. As long as there's the two of us we've got the world and all it's charms and when the world is through with us we've got each other's arms. You've got to win a little, lose a little and always have the blues a little 'cause that's the story of, that's the glory of love that's the story of and that's the glory of love. © 1936 Shapiro Bernstein & Co. Inc. |
We three (My echo, my shadow and me)
(Mysels-Robertson-Cogane)
Nahráno: Capitol Studios (Los Angeles)
Paul McCartney - zpěv
Diana Krall - piano, aranžmá
Karriem Riggins - bicí
Robert Hurst - basa
John Pizzarelli - kytara
Bucky Pizzarelli - kytara
Mike Mainieri - vibrafon
Eddie Karam - dirigent
Assa Drori - první housle
Johnny Mandel - aranžmá orchestru
Píseň kralovala hitparádám na tři týdny koncem roku 1940. Poté ji zpívalo mnoho interpretů včetně Franka Sinatry nebo Brendy Lee, objevila se také v seriálu One tree hill.
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We three, we're all alone living in a memory my echo, my shadow and me. We three, we're not a crowd we're not even company my echo, my shadow and me. What good is the moonlight, the silvery moonlight that shines above I walk with my shadow, I talk with my echo but where is the one I love. We three, we'll wait for you even till eternity my echo, my shadow and me. We three, we're all alone living in a memory my echo, my shadow and me. What good is the moonlight, the silvery moonlight that shines above I walk with my shadow, I talk with my echo but where is the one I love. We three, we'll wait for you even till eternity my echo echo, my shadow and me we'll be here waiting my echo echo, my shadow and me. © 1940 Edwin H. Morris & Company, a division of MPL Music Publishing Inc./Penn Music Co. |
Ac-cent-tchu-ate the positive
(Arlen-Mercer)
Nahráno: Avatar Studios (New York)
Paul McCartney - zpěv
Diana Krall - piano, aranžmá
Karriem Riggins - bicí
Robert Hurst - basa
John Pizzarelli - kytara
Píseň vznikla v roce 1944 a nahrána byla poprvé 4. října stejného roku za účasti The Pied Pipers a orchestru Paula Westona. 4. ledna 1945 se dostala do hitparády Billboard, ve které setrvala dlouhých 13 týdnů. Nejlepší umístění bylo na 2. příčce. Zhruba ve stejném čase a na stejném místě bodovala její verze v podání Binga Crosbyho a The Andrew Sisters, kteří ji nahráli 8. prosince 1944 a do hitparády dostali 25. ledna 1945. A ani on nebyl jediný, kdo ji koncem roku 1944 nahrál. 21. prosince 1944 ji natočil Kay Kyser s Dolly Mitchell a také Artie Shaw, jehož verze dosáhla pátého místa hitparády. 6. dubna 1945 ji pak v Británii nahrál Johnny Green. Mezi její další interprety se pak zařadili např. Connie Francis, Ella Fitzgerald, Perry Como (ten ji nahrál dokonce dvakrát), Aretha Franklin, Sam Cooke, NRBQ, punková skupina The Vindictives a John Boutte. Píseň zazněla také v mnoha filmech a v televizi, např. Here come the waves (1944), The singing detective (1986), Bugsy (1991), Coronation Street (2010), Casualty (2010), The mighty ducks (1992), L.A. Confidential (1999), Blast from the past (1999), Treme (2011).
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You got to ac-cent-tchu-ate the positive e-lim-i-nate the negative and latch on to the affirmative don't mess with mister inbetween. You got to spread joy up to the maximum bring gloom down to the minimum and have faith, or pandemonium liable to walk upon the scene. To illustrate my last remark Jonah in the whale, Noah in the ark what did they do, just when everything seems so dark man, they said, we better. Ac-cent-tchu-ate the positive e-lim-i-nate the negative and latch on to the affirmative don't mess with mister inbetween. To illustrate my last remark Jonah in the whale, Noah in the ark what did they do, just when everything seems so dark man, they said, we better. Ac-cent-tchu-ate the positive e-lim-i-nate the negative and latch on to the affirmative don't mess with mister inbetween oh no, hm girl, no way, it's way, too dark, for you don't mess with mister inbetween. © 1944 Harwin Music Co. |
My Valentine
(McCartney)
Nahráno: Avatar Studios (New York), Abbey Road Studios(Londýn)
Paul McCartney - zpěv
Diana Krall - piano, aranžmá
Karriem Riggins - bicí
Robert Hurst - basa
Eric Clapton - kytara
John Pizzarelli - kytara
Londýnský symfonický orchestr, dirigent Alan Broadbent
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What if it rained we didn't care she said that someday soon the sun was gonna shine and she was right this love of mine my Valentine. As days and nights would pass me by I tell myself that I was waiting for a sign then she appeared a love so fine my Valentine. And I will love her for life and I will never let a day go by without remembering the reasons why she makes me certain that I can fly. And so I do without a care I know that someday soon the sun is gonna shine and she'll be there this love of mine my Valentine. What if it rained we didn't care she said that someday soon the sun was gonna shine and she was right this love of mine my Valentine. © 2012 MPL Communications Ltd./Inc. |
Always
(Berlin)
Nahráno: Avatar Studios (New York), Abbey Road Studios (Londýn)
Paul McCartney - zpěv
Diana Krall - piano, aranžmá
Karriem Riggins - bicí
Robert Hurst - basa
John Pizzarelli - kytara
Londýnský symfonický orchestr, dirigent Alan Broadbent
Píseň napsal v roce 1925 Irving Berlin jako svatební dar pro svou ženu Ellin McKay, kterou si vzal o rok později. Písnička se měla objevit v muzikálu bratří Marxových The Cocoanuts, ale na Berlinovu žádost byla vypuštěna. V roce 1942 byla použita jako základní melodie filmu The pride of the Yankees. Později ji nazpívala řada známých umělců: Frank Sinatra, Patsy Cline, Billie Holiday, Billy Corgan, Guy Lombardo, Leonard Cohan, Phil Collins, Machito, The Ink Spots, Billy Eckstine, Sarah Vaughan, Diana Ross se Supremes, Lynda Carter a Mandy Patinkin.
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Everything went wrong and the whole day long I'd feel so blue for the longest while I'd forget to smile then I met you now that my blue days have passed now that I've found you at last. I'll be loving you always with a love that's true always when the things you've planned need a helping hand I will understand always, always. Days may not be fair always that's when I'll be there always not for just an hour not for just a day not for just a year but always. Hm days may not be fair always that's when I'll be there always not for just an hour not for just a day not for just a year but always. © 1925 Irving Berlin Music Corp. |
My very good friend the milkman
(Spina-Burke)
Nahráno: Capitol Studios (Los Angeles)
Paul McCartney - zpěv
Diana Krall - piano, aranžmá
Jeff Hamilton - bicí
John Clayton - basa
Anthony Wilson - kytara
Ira Nepus - trombon
Mezi nejznámější interprety této písně pocházející z roku 1935 patří Fats Waller, George Melly a Eric Clapton.
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My very good friend, the milkman says that I've been losing too much sleep he doesn't like the hours I keep and he suggests that you should marry me. My very good friend, the mailman says that it would make his burden less we both had the same address and he suggests that you should marry me. And then there's a very friendly fellow who prints all the latest real estate news and every day he sends me blueprints of cottages with country views. Oh my very good friends, the neighbors say they've been watching little things I do and they perceive that I love you so I suggest that you should marry me. And then there's a very friendly fellow who prints all the latest real estate news and every day he sends me blueprints of cottages with country views. Oh my very good friends, the neighbors say they've been watching little things I do they perceive that I love you so I suggest that you should marry me. © 1935 Anne-Rachel Music Corp./My Dad's Songs/Reganesque Music/Marke Music Publishing/Limerick Music |
Bye bye blackbird
(Henderson-Dixon)
Nahráno: Avatar Studios (New York), Abbey Road Studios (Londýn)
Paul McCartney - zpěv
Diana Krall - piano, aranžmá
Karriem Riggins - bicí
Robert Hurst - basa
John Pizzarelli - kytara
Londýnský symfonický orchestr, dirigent Alan Broadbent
Píseň vznikla v roce 1926 a jako první ji nahrál Gene Austin. V průběhu let ji natočili mnozí interpreti, např. Josephine Baker, Georgia Brown, Joe Cocker, Bing Crosby, Miles Davis, Fleetwoods, Melody Gardot, Etta James, Keith Jarrett, Diana Krall, Peggy Lee, Julie London, Trini Lopez, Dean Martin, Johnny Mathis, Billy May, Mitch Miller, Bobby Short, Nina Simone, Frank Sinatra, Curtis Stigers, Tiny Tim, Sarah Vaughan, Martha Wainwright, Mark Weber, Ben Webster a Oscar Peterson. Na své první sólové album ji nahrál také Ringo Starr. Za druhé světové války ji využil pro svou propagandistickou kampaň Joseph Goebbels. Smysl písně však byl interpretován ve zkreslené podobě. Skladba zazněla také v několika filmech, jako Sleepless in Seattle (1969), Melvin and Howard (1980), Public enemies (2009), Anzio (1968), King Kong (2005), Maxie (1985).
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Blackbird, blackbird singing the blues all day right outside my door blackbird, blackbird gotta be on my way to where the sun shines once more. Pack up all my care and woe here I go sing it low bye bye blackbird. Where somebody waits for me sugar's sweet and so is she bye bye blackbird. No one here can love or understand me oh what hard luck stories they all hand me now make my bed and light the light I'll arrive late tonight blackbird bye bye. No one here can love or understand me oh what hard luck stories they all hand me now make my bed and light the light I'll be home late tonight blackbird, oh blackbird, blackbird bye bye. © 1926 Olde Clover Leaf Music/Ray Henderson Music Co Inc. |
Get yourself another fool
(Haywood-Tucker)
Nahráno: Avatar Studios (New York), Abbey Road Studios (Londýn)
Paul McCartney - zpěv, akustická kytara
Diana Krall - piano, aranžmá
Karriem Riggins - bicí
Christian McBride - basa
Eric Clapton - kytara
Anthony Wilson - kytara
Londýnský symfonický orchestr, dirigent Alan Broadbent
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At last I wake up to see what you've done so what can I do but pack up and run I know the rules go get yourself another fool. You said that you love me I'm yours to command but your kind of loving my heart couldn't stand you use me for a tool go get yourself another fool. And now, now that we're through you say you meant to be true but deep in your heart you know that our love could never grow. I tried to believe you that we'd never part but your kind of loving just broke my poor heart now I know the rules go get yourself another fool. And now, now that we're through you say you meant to be true but deep down in your heart you know that our love could never grow. Well I tried to believe you that we'd never part Your kind of loving just broke my poor heart But I know the rules go get yourself another fool. Yeah you'd better get yourself, get yourself You'd better get yourself another fool Go ahead and get yourself, get yourself Get yourself another fool oh. © 1947 EMI Unart Catalog Inc. |
The inch worm
(Loesser)
Nahráno: Capitol Studios (Los Angeles)
Paul McCartney - zpěv, akustická kytara
Diana Krall - piano, aranžmá
Karriem Riggins - bicí
Robert Hurst - basa
John Pizzarelli - akustická kytara
Eddie Karam - dirigent
Assa Drori - první housle
Johnny Mandel - aranžmá orchestru
Chloe Arzy, Evyn Johnson, Makiah Johnson, Michael Johnson, Delany Meyer, Ilsey Moon, Sabrina Walden, Sasha Walden - dětský sbor
Scottie Haskell - dirigent dětského sboru
Píseň vznikla pro film Hans Christian Andersen, který měl premiéru v roce 1952. Stala se populární mezi dětmi díky využití číslovek v textu. Píseň ve filmu zpíval Danny Kaye, po něm ji nazpívali Rachelle Ferrell, The Brothers Creeggan, Anne Murray, Kenny Loggins, We Five, John Lithgow, Mary Hopkin, Doris Day, Kurt Wagner a Patricia Barber. Objevila se také v populárním seriálu Muppets.
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Inch worm, inch worm measuring the marigolds you and your arithmetic you'll probably go far. Inch worm, inch worm measuring the marigolds could it be you'll stop and see how beautiful they are? Two and two are four four and four are eight eight and eight are sixteen sixteen and sixteen are thirty-two. Inch worm, inch worm measuring the marigolds you and your arithmetic you'll probably go far. Two and two are four four and four are eight eight and eight are sixteen sixteen and sixteen are thirty-two. Inch worm, inch worm measuring the marigolds seems to me you'll stop and see how beautiful they are. Inch worm, inch worm measuring the marigolds you and your arithmetic you'll probably go far. Two and two are four four and four are eight eight and eight are sixteen sixteen and sixteen are thirty-two. Two and two are four four and four are eight eight and eight are sixteen sixteen and sixteen are thirty-two. © 1951 Frank Music Corp. |
Only our hearts
(McCartney)
Nahráno: Capitol Studios (Los Angeles)
Paul McCartney - zpěv
Stevie Wonder - harmonika
Vinnie Colaiuta - bicí
Chuck Berghoffer - basa
John Chiodini - kytara
Tamir Hendelman - piano
Assa Drori - první housle
Johnny Mandel - dirigent, aranžmá orchestru
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If only my love was here I'd be taking the time to feel it washing over my body and soul if only my love, only my love was here. I wish that my heart was strong I'd be letting it beat much faster at the thought of you holding me near I wish that my heart, wish that my heart was strong. Hoping to be where you are of longing to be your lover don't want to ever be far apart from you my love. But only our hearts will know if were going to spend it together only gone to the dreams that we share only our hearts, know how much love is there. Hoping to be where you are of longing to be your lover I don't want to ever be far apart from you my love. But only our hearts will know if were gonna to spend it together holding on to the love that we share only our hearts, know how much love is there yes only our hearts, know how much love is there. © 2012 MPL Communications Ltd./Inc. |
Baby's request
(McCartney)
Nahráno: Capitol Studios (Los Angeles)
Paul McCartney - zpěv
Diana Krall - piano, aranžmá
Robert Hurst - basa
Bucky Pizzarelli - kytara
Ira Nepus - trombon
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When the moon lays his head on a pillow and the stars settle down for a rest just do me one small favour, I beg you please, play me my baby's request. It's the song that we heard when we started now the birds have all flown from our nest but you could bring back mem'ries, departed by playing my baby's request. My baby said that she knows how it goes but you're the one who really knows so go ahead just one more time and then we'll go to bed. My baby said that she knows how it goes but you're the one who really knows so go ahead just one more time and then we'll go to bed. When the moon lays his head on a pillow and the stars settle down for a rest just do me one small favour, I beg you please, play me my baby's request oh play me my baby's request please, play me my baby's request. © 2012 MPL Communications Ltd. |
My one and only love
(Wood-Mellin)
Nahráno: Capitol Studios (Los Angeles), Abbey Road Studios (Londýn)
Paul McCartney - zpěv
Diana Krall - piano, aranžmá
Karriem Riggins - bicí
Robert Hurst - basa
Bucky Pizzarelli - kytara
Londýnský symfonický orchestr, dirigent Alan Broadbent
Eddie Karam - dirigent
Assa Drori - první housle
Johnny Mandel - aranžmá orchestru
Píseň vznikla v roce 1952 a jako první ji natočil Frank Sinatra 2. května 1953. Další verze pak udělali Doris Day, Andre Previn, John Coltrane, Gerald Albright, Joe Sample, Sting (ve filmu Leaving Las Vegas), Dean Martin, Chick Corea, Ella Fitzgerald, Sarah Vaughan, Lita Roza, Sophie Milman, Gwilym Simcock a další.
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The very thought of you makes my heart sing like an April breeze on the wings of spring and you appear in all your splendor my one and only love. The shadows fall and spread their mystic charms in the hush of night while you're in my arms I feel your lips so warm and tender my one and only love. The touch of your hand is like heaven a heaven that I've never known the blush on your cheek whenever I speak tells me that you are my own. You fill my eager heart with such desire every kiss you give sets my soul on fire I give myself in sweet surrender my one and only love. The touch of your hand is like heaven a heaven that I've never known the blush on your cheek whenever I speak tells me that you are my own. You fill my eager heart with such desire every kiss you give sets my soul on fire I give myself in sweet surrender my one and only love. © 1952 Warock Corp/Colgems-EMI Music Inc. |